用英语写电影观后感5篇

时间:2023-08-03 11:09:32 分类:读后感

大家在看完一部电影后,一定都会将观后感写好吧,影片看完之后写观后感是很常见的,想要写好却不是一件容易的事,尚华范文网小编今天就为您带来了用英语写电影观后感5篇,相信一定会对你有所帮助。

用英语写电影观后感5篇

用英语写电影观后感篇1

first, this movie----- "millions of pounds" is a story of american henry adams, because of an accident he became penniless, be on the beach. but because of accidental opportunity, he got a cheque for£ 1000000 from a pair of millionaire brothers. when the hero got the check, the attitude of the people around him and his life has changed, people believe a man who has a value of 1 million check people like a god. and when people began to doubt whether the check real time, ladies and gentlemen who will have to draw the line with him, at last, a month is over, everything is attributed to calm. when vanity and power fades away, do not rest,henry adams got a true love which not for fame and money,that is so touching.

briefly, i'm shocked by the craze for money and worship, people in the movie can believe a stranger without being told, only because he has a value of millions of check. i can't help to ask, money really so important? my answer is negative, even though the importance of money can not be denied, but happiness, health, love, family is more important in my heart. i think we should not yield to money , fawn upon the rich and powerful persons, nor will the money as a universal and bound themselves, we should know how to choose, give and take, and their love of the people through their love life, even imple but happy, isn't it? finally, as the film, henry put down everything, but he got the harvest of love, live a simple and happy life.

用英语写电影观后感篇2

based on the stephen king (non-horror) novella “rita hayworth and theshawshank redemption”, this is a simple story of hope made remarkable by theinteraction between the two lead characters. both tim robbins and morgan freemando a fine job in terms of making their roles genuine and appealing, and also inthe way they work so well together. the production values throughout areoutstanding, but this is not a “fancy” film. rather, it sticks to the story itis telling without resorting to flashy tricks to grab the audience’s attention.although there is violence, some of it extreme, it is necessary to show the kindof place the prison is and is certainly not gratuitous.

the main theme is hope,not despair, and the violence serves only as a backdrop to that message.unashamedly a feelgood movie, by the end one is wishing only that it wouldcontinue for a few more moments.

用英语写电影观后感篇3

"cellular" has the setup for a solid straight-ahead thriller: a kidnap victim who does not know where she is being held phones a total stranger who must then stay connected on his cell phone to find her before she is killed. joel schumacher scored earlier with a similarly phone-themed larry cohen story, "phone booth." as executed by tone-deaf director david r. ellis, however, "cellular" bees an unintentionally hilarious cousin to brian de palma's "raising cain" and "snake eyes."

ellis seems to have unwittingly spliced together two different films with mismatched tones: kim basinger as the kidnapee and jason statham as the kidnapper occupy the deadly-serious, straight-to-video thriller half, while chris evans as the rescuer and william h. macy as a police officer seem to be in a "saturday night live"-alum action edy. nowhere else is the disjointedness in tone more apparent than when basinger and evans's performances are placed side-by-side during their conversations: the scenes keep cutting between an overwrought basinger wringing out every drop of melodrama, while a blissfully inept evans seems to be channeling a cross between chris kattan/jimmy fallon and ben affleck/keanu reeves.

meanwhile, ellis pulls out tricks intended to generate thrills and surprises. he throws in out-of-nowhere "shocks," a la "final destination"; he throws inflashbacks; he throws in a gun-blazing macy in jerry bruckheimer action-hero slo-mo; and yet, ellis has no handle on staging any of them petently. case in point: "cellular" is the proud owner of one of the most ineptly scored chase sequences ever, as if ellis simply heard a snippet of the song's lyrics literally and paid no attention to the inappropriateness of the acpanying music .

and yet, for all of its failures as art, "cellular" is always entertaining for those very same faults

用英语写电影观后感篇4

昨日晚上熬夜看了《飞屋环游记》。电影的的主人公是一个从小就很喜欢飞行的人,并在一次玩耍时遇见了自我的'偶像'。电影用十分快的手法将主人公的婚姻生活展现出来。妻子去世后,老人迫于开发商的压力和为了实现许下妻子的诺言,突发奇想,用n多个气球将自我的屋子带上了天,去找他们梦想中的那个瀑布。结果一向想获得帮忙老人勋章的小男孩爬上了老人的飞屋。两个人在经历了可怕的暴风雨之后,最终意外的降落在了离瀑布不远的山崖上。可是由于气球的浮力问题,两人必须在三天之内拉着屋子走到瀑布旁边。走过树林时,孩子遇见了老人所谓的“沙锥鸟”。此时老人的“偶像”也在此地,养了很多狗来寻找“沙锥鸟”。狗们把老人带到了主人面前,还有那个在飞屋上趴着的沙锥鸟。很显然,沙锥鸟被发现了。两个老人反目,在逃跑中,沙锥鸟受伤了。老人将沙锥鸟送到巢穴,可是跟着他们的“狗们”还是抓住了沙锥鸟。眼看屋子立刻就要落到地面了,老人顾不到沙锥鸟,带着房子走到了瀑布旁边。可是执着的孩子还是乘着气球去找沙锥鸟去了。老人主动地放弃了自我原先的想法,将自我的房子减到最轻,也追了上去···

看完电影的第一感觉就是感动。首先是因为那位老人为了实现给妻子许下的诺言,不顾危险,在自我屋上绑了n多个气球,靠着气球的浮力,带着自我的屋子飞到了南美洲那个梦想的瀑布旁边。然后就是老人主动放弃了停留在瀑布旁边,而是主动将屋子变轻,去救那只与自我几乎毫无相关的沙锥鸟。

虽然电影里面的资料是假的,并且有很多做法都是不可能的,可是影片表达的感情和对观众的的教育意义却是十分真实的。我觉得首先应当看到的是人应当执着。就像老人那样,为了实现诺言不顾一切。然后就是职责感。孩子为了救沙锥鸟不顾危险,只身一人去追飞船是很能体现这一点的。老人毅然决然放弃千辛万苦才成功的计划,乘着屋子去追孩子,在诺言与职责面前,他选择了职责。也许影片里体现的东西还有很多,我觉得这两点是十分重要的。也是对观众教育意义最大的两点,或许还是当今社会上相当一部分人缺少的两点。可能我说的话夸张了当今社会的灰色一面。可是现今很多新闻或者网络上流行的各种资料还是让人们对我们的社会打了折扣。

哎,不知怎的,说话语无伦次次,脑子昏天暗地的。

用英语写电影观后感篇5

wushixian movie alone waiting "and won a prize, saw the summer rain and libingbing collision, this is exciting. movie describing the life is from beijing, is also the contemporary young people, boring, fantasy, loss, decadent. but no one can live without struggle, struggle in life in the rules, struggling in secular comments in controversy, alone and waited.

the film is in my opinion is not simple love can be summarized, that kind of narrative real let me more reflections is struggling, loneliness, stray, disguise, vanity and simple, persistence, kind these more real and perceptual things. this is the movie charm, let us find their shadows, reviewing myself, then coat-of-arms back to life. at the same time in the lonely and helpless, waiting, waiting for the love, dream, the beautiful utopia.

武仕贤的电影《独自等待》又获奖了,看到了夏雨和李冰冰的碰撞,这都让人激动。电影描写的生活是北京人的,也是当代年轻人的,无聊的,幻想的,茫然的,颓废的。但是谁都离不开挣扎,挣扎在生活规则中,挣扎在世俗评论的争议中,独自等待着。

这部片在我看来并不是简单的爱情所可以概括,那种叙事的真实让我更多地思考的是挣扎,寂寞,彷徨,伪装,虚荣还有简单,执着,善良这些更为真实而感性的东西。这也是这部片子的魅力吧,让我们从中找到了自己的影子,审视着自己,然后意味深长地回想生活。同时在寂寞与无奈中等待着,等待着爱情,梦想,那美好的乌托邦。

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